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from Unexplained Sounds Group - 2nd Annual Report, released December 8, 2016
ZACH ZINN was nurtured in New Mexican bohemia - in a mountainous desert in which weirdness is prized and cultures smash together like atomic bombs. His homeland of Albuquerque hosts residents who hold Conquistodor land grants, Navajo natives, a hispanic majority, and travelers who settled after their cars broke down on Route 66.
Zinn's music evokes sparse, wide expanses of dirt and turquoise sky. He composes his electronic landscapes from acoustic instruments, which are salvaged from junk shops, raided from toy chests, oldiered and rewired from broken scraps. In his abstract meditations, cultures coalesce through a world of sampled instruments, including the thunder drum, bowed psaltery, Japanese gong, Irish tin flute, accordian, and chord organ.
Lacking formal training, Zinn has a unique sound honed during decades of tinkering. He learned music theory from a short order cook at a restaurant where he waited tables. His influences include Zoviet France, Tibetan Buddhist mantra and ritual music, Illusion of Safety, Nocturnal Emissions, and primitive tonal drone.

More info at: soundcloud.com/zach-zinn

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Unexplained Sounds Group Italy

Global Network of Aural Disorientation curated by Raffaele Pezzella

Subsidiaries:

eighthtowerrecords.bandcamp.com

reversealignment.bandcamp.com

zerok.bandcamp.com

therecognitiontest.bandcamp.com

sonologyst.bandcamp.com

Magazine: www.patreon.com/eighthtower

Magazine:
www.patreon.com/eighthtower
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