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Mario Lino Stancati (feat. MariaTodaro) - Gola D'Aria

from Differences - visions of contemporary composition by Various Artists

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"Gola d'aria" is distinguished, however, by the use of sounds originating only from the voice of the multifaceted performer Maria Todaro, here here called to offer her vocal apparatus so that it is put to the test by trying itself in broad performance radious from blown to whisper, from high-pitched to lament, from tears to gasp, from declaimed to silent. Subsequently, through a deep digital re-elaboration, to the angelic and melodic instrument, the resonant power of the voice is transformed into thunder, lightning, wind, waterfall, pebbles crumbling, rammed steel, electric shock, ferrous mechanism, rusty plunger, metal grinding and other bizarre mimicry of the genre. In short, baroque pantheism voice at full power.

-https://archive.org/details/GRCCN0031016’

credits

from Differences - visions of contemporary composition, released January 7, 2017
Mario Lino Stancati (1981) approached to the world of music quiet early. As a teenager, he took academic studies concerning the classical guitar and continued in later years in an autonomous manner, open and personal. As a very young man, he began to try, as self-taught, with the voice practice, passion and interest then transferred inside his theater activity that sees the protagonist as director, actor and dramaturg. In 2015, he started to develop strong interest in the experimental music research and became a part of the "Slaps Orchestra", directed by the multi-talented artist Remy De Vico and initiating a close collaboration with electronic composer Alessandro Rizzo together and published a electroacoustic suite titled "Omaggio al Pazzo di Flaubert" for net label "Studiolo Laps". He did not eager to remain in specific or genre style but intended to focus on voice practice within electronic sounds.

More info at: soundcloud.com/user-490254534

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Global Network of Aural Disorientation curated by Raffaele Pezzella

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